When the Fic Hits the Fan

Time to make me some enemies.

I don't see the point of fan fiction.

Like, at all.

It's one thing to be influenced by another author. We all are. I can often tell a writer's favorite author just by reading his work. Brust was a Zelazny fan. S M Stirling has read a lot of George MacDonald Fraser. The influence is there. People say my fiction reads like a cross between a consumer safety warning, Miranda rights and the back of a cereal box, and I say "Well, that's what I'm exposed to."



Taking somebody else's setting and characters and writing stuff with them seems kinda....creepy. It's like when I was a kid playing with Star Wars action figures. Except if I did it as an adult. And posted it to a website. For writers to critique. And got pissy when people called me on it.

And I was really proud of the scenario where Luke and Han, with the help of the GI Joe team, beat Darth, two storm troopers and a Care Bear to free Leia and Catwoman.

Ok, I used to freely mix my action figures. We'll just call that "non canonical fan fic"

First up, form a legal standpoint, you'll never have a leg to stand on. You'll never be able to sell it, or even post it legitimately, because it's somebody else's copyrighted material. Even if it's brilliant, it will never be wholly yours. The clear, legal exception is parody. My feature Brokeback Mount Doom, where Sam and Frodo examine the master and servant relationship in lurid detail, was pure art.

Second, it looks juvenile. Like my Star Wars example. When we're kids, we imitate. I played Raiders of the Lost Arc and Star Wars and Robin Hood as a kid. I probably did what would be called Fan Fiction today in creative writing in fourth grade. That was largely because I was eight. I had no adult frame of reference from which to write except those I stole from books and movies. If I'd gone with the "write what you know" theory, my stories would have been about building tree forts, drinking chocolate milk and playing Star Wars, Raiders and Robin Hood.

One of the best ways to be able to write well, is to have experiences on which to draw. You can't write a love story unless you've been in love, or even a love scene generally unless you told some girl you were in love. Or you just had a nice car, but that's not the point. When you are young and inexperienced, sure, you steal the love story from Beauty and the Beast or Princess Bride, because that's what you think a love story is.

It's not until later that you learn about the nerves, how hard it is to look nonchalant buying condoms, how cramped a backseat really is, and the whole awkward learning curve from the first kiss to whether to call the next day. Or the actual glow inside when you look at a woman you've been married to for years and still feel that rush.

Third, it's cheating. A lot of effort goes into creating a good solid world and the characters who inhabit it, and it's just lazy to let some other writer do the heavy lifting and then come in and use the stuff.

Now, there's an appeal to using an interesting, unique established setting and great, well developed characters, but there's an appeal to using marked cards, corking your bat, using steroids or getting some guy in a bar to fall for the shoelace trick.

But it's still cheating.

Do yourself a favor. Do the grunt work. Make up your own stuff.

You'll thank me later.

Stole that one from my dad.